two ends




he won’t chance another ugly betty – she won’t be forgotten, 
while polite boys give battle-axes a miss – no one will kick him out of her.
he’s in gośka more than he was then, spreading faster than loosestrife. 
the beautiful joanna was easier, screamed thrice over, then wrapped 
herself in a piotr or a marek, fell silent. gośka can’t, torn apart she tosses


grenades his way: you warp my dreams, feed me thistles. then lick chocolate
off the wrists of princesses. funny, she comes to him in dreams nicely enough, 
sometimes a little too nicely – he fears that the most, wants to chase the uglies 
from his door, letting loose all his wolves and jackals. he misses the warmth
joanna used to give, was too easy to cross off, be pleased by a tomasz or a robert.


joanna dreamt someone had made her into a mad wench. come morning, 
she is longing for something.





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Summer, wild summer



The morning lined with felt and the patient work of red
thread – faith in justice and hope for reward.
Imagine the summer as the insides of a stalk, now
whimpering in the fire. Or as a fox’s paw print on the path
to the latrine. Yes, that is where I sought out my own
glade, but my hands kept hitting turf


or the shoots of wet ferns. I sometimes dream of that
camp, a morose resort in the lands of Lemkos, shady
pastures and stuffy, buzzing raspberry bushes. And then
silence, a form of thick formalin, which over the course
of months can suspend a scrap of flesh from a branch.

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Shortcomings



At first, tell tales, rant until it’s gibberish.
Time is a relative matter, look over your shoulder just in case.


Or look behind you. For why should you not age?
K picks a battered handbag off the asphalt, puts it down again.


K likes it when you kick your legs, swinging, carefree
(I only felt this way once, 21 VIII 2005).


Then the photos develop, aping our ancestors’ shamans.
Unashamed of shame, never angry at one’s own anger.


And dancing, though as a rule she tends not to.
And dancing, though as a rule she tends not to.


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Donor



the city needs my blood


between Bracka and Bankowa Streets marked ambulances
fog falling on provincial walls broken berliner is almost next door


the London variety falling on Jack the Ripper
he’s from round here Silesian vampire with a hammer


over me a low from Scandinavia
Jesus what kitsch reindeer blue post-ice-age lakes by numbers


I stumble on the remains of my own blood
take my body and the blood divide amongst yourselves


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Writing


Write on. A cold writing.
Unutterably pale and desiccate.
Like a less than friendly dream, lunacy’s confidant.


Write on into the future, which has no gender or soul.
Driving through ashes. Through the dusk it crosses
with horrendous features, eyes of no colour.


Where a river runs trembling through dead quills.


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on recalling

 

 

it is early evening camp fires, aniseed

particles on women’s lips. it is listening to

the whisper of motorways coated in a transparent

film of lights like the preparation of our epoch,

the chill of equalizers made by Diora, Radiotechnika,

Unitra. it was all that. boys

carrying the cobalt seas in their eyes and a spade,

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THE FINAL FETCH



He broadened the borders of my playground,
conquered all and all of them, even the bad’uns
from the bad ends, which served as conkers
in times when games were still just games –
needing no rules or playfulness.


I only ever cried when
we buried our first dog,
at my grandparents’ allotment,
which burnt down soon after -

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8 WIERSZY / POEMS






ruptures (medley)



and another line deprives access to the sea

we stand on the pier paralysed like all

those stories about a group of friends honouring


the final wish of one dead rolling through countries and bars

cross crossroads with the promise of ashes scattered along the coast

but once there can’t do anything other than turn circles


wandering is an aim in itself (when setting off on a

journey choose the furthest route) something constantly

piercing through out of the background like a wave function

explicitly describing the edges of body

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5 new poems



*


We live a stone’s throw from the west. Like in the movies, whatever the change is.
The sky changes colour: battered, unbeaten, its green turning violet
yellow bile all over us. A plane cuts the screen at a prearranged point:


women and children with their faces on the floor, men returning years later.
They hold bottles filled with petrol, their heads high. Even, but without vocals.
They mistake hunger for desire, transparent they spit pips from the most recent spring.


The count off does not end before sunrise. Illnesses put out into the corridor.
As long as you remember to touch, wash your hands. Extinguish your heart in rusty water.
You will dream of christenings, I’ll dream of a gold tooth. Sand will fill the swellings.

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Essay: Whenever I think of poetry, I sniff



for Eleni Sikelianos


When I think of poetry, my lady friends
think of soggy spliffs,
but me, I think of noses and hash pipes.


When thinking of my lady friends’ poetry
I feel like a little fish caught in their sweet sights,
while they think of turbines and propellers.

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NARRATION


tsui pen believed in many

parallel time lines, but this too was too little.

silver believes in those low-rider bendy buses

and that as soon as we get asses in gear we will make it.

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5 poems



I.

give me the words to name limits
as accurately as limits
and let me dance within them (so
I may joyously turn circles

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Impressions from a reading



in an old bookshop, I bought
a collection of Szymborska’s poems from 1972
in any case
between pages eight and nine
between error and impressions from a play
I found
a grey label
torn
from a cotton shirt
made in england
St. Michael
for a child up to 10 years old
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Threnody IX. Account




Reistych


Exporting: 80 zl


Refrigeration: 4 days at 25 zl each
making 100.


Transit: 180 + 240.
Total: 420  zl


Wreath, veiled: 250 zl
Floral arrangement: 170.


Coffin (pine): 740 zl
Coffin fittings: nil.


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WEAVER



Twin layers on the edge of pattern
past and present.


Empties, fulls, fulls, empties

Granny Sania whispers.


Granny Sania lost her senses
last year.


Recalling Granny Sania
I feel my own senses loosening, or
my senses losing me
(the order is inconsequential).
The air turning thick
enters the mouth like a gag, one
you want to light and hear explode.


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FAREWELL TO POETRY




Here I am. Seeking love and peace.
For many years, I have been wandering dug up streets
and that which I see as the world probably is my world,
that which I feel as life – life is
though that’s nothing certain.
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SCREW POET



what is it you do that they gnaw their own veins
cut wrists with fingernails in toilets too shallowly to kill


(though some wish they could)


smearing shoe polish on their hands faces crotches
letting it all go to hell and burn no good to anyone now


prison games last
(outside of greenery outside of the poet sipping his beer)

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OF OWN ACCORD



Only for a moment did I forget
that it’s now. My station of honest memory.


Hiatus of moments worn like satin.
Mistaken leads followed. Of own accord. You can


miss scabs, the grazing of cuticles.
The patina of silvery blood. Let’s revisit those


Conversations. The stucco of dried branches, leaves
of flint. These etchings, left over from childhood.

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i laze



in fly-like sticky tango of sweet trickles
I sieve chitinous light through the slits of hundreds of eyes
lightly ever so lightly I am taken by persistent buzzing
is it only with me after all ah all right I will bring you breakfast

(not that I would go blindly into the fire. but his
ratio of muscle to hair is quite so so) I think


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BEEN BORN



they wanted to get away from paying taxes
the dreadful chore of applying for passports and ID cards
and scraping ice off frozen windscreens


and they did get away from it all

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